We’re delighted to welcome multidisciplinary artist Lin Cheng back to Six Foot Gallery. Lin is a UK-based illustrator and visual artist whose practice expands the possibilities of contemporary visual storytelling through picture books, illustration, artist’s books and cross-media works. Her solo show, Silent Voices, Tender Lines, brings together works that explore the space between childhood imagination and contemporary lived realities. Drawing on the visual language of picture books alongside experimental illustration and installation, Lin constructs narrative environments where softness becomes a method of reflection.

Thanks for being with us Lin! How do you overcome creative blocks?
I see creativity as a process of integrating inner feelings and evolving understanding, so it naturally shifts alongside different stages of life. When I encounter creative blocks I tend to think it means there are still experiences I haven’t fully encountered or reflected on yet, whether through deeper reading, learning, or stepping into new roles that broaden my perspective. For me, the most important thing is to stay curious and courageous enough to try new things. Creativity rarely fails you when you continue to engage with life openly.

How would you say your art has developed since the start of your career?
Throughout my career, I’ve worked on various drawing projects and spent time in studio environments, which gradually made me reflect more deeply on my narrative direction and visual language. I often learn by observing and studying works that resonate with me, almost like entering into a dialogue with different mentors through their art. I’m still constantly learning, but my focus has shifted – it’s no longer about self-contained expression for its own sake; instead, I care more about whether what I communicate is clear, thoughtful and precise.

Can you elaborate on the significance or symbolism of the chosen title of your exhibition?
Earlier in my career, I collaborated with publishers on children’s picture books and illustrations, which reflected a sense of lightness, curiosity and joy at that time. Knowing that those images brought comfort to others also brought me happiness. However, as I experienced more roles and perspectives, I became increasingly aware of people whose voices remain unheard – those who are often invisible or marginalised. This led me to explore themes such as domestic violence and intergenerational trauma in my work. I believe lines and visual language can remain gentle, yet when they carry these silent voices, that gentleness becomes a powerful form of expression.

What’s your favourite piece in the exhibition?
Perhaps the work I invested the most energy in is Women in the Case, as it involved a long and intensive process of hand-sewing and construction, and its final presence feels particularly strong. At the same time, the Bird series holds a more independent and introspective quality for me. It reflects my earlier way of thinking about relationships – and even war – from a more instinctive and personal perspective. That early mode of thinking, sometimes simple and direct, feels especially precious now, as life becomes increasingly complex.

Is there anything else you would like people to know about the exhibition or your experiences as an artist?
Choosing Glasgow as the place to present this solo exhibition is deeply connected to the relationships I’ve built here, as well as my strong trust in the professionalism of Six Foot Gallery. One of the most meaningful aspects of art for me is its ability to create connections – to meet people, receive responses, and through that process see myself more clearly. It is a deeply human experience, and I feel very grateful to have this opportunity to share, listen and engage in dialogue with others.

Silent Voices, Tender Lines runs at Six Foot Gallery until 12th March 2026. Connect with Lin on Instagram or on her website.