Best of Degree Show 2018


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Exhibiting artists:

Duncan of Jordanstone College of Art

Screen Shot 2018-07-13 at 12.51.59  Elen Averis – BA (Hons) Fine Art
“My work is a little messy, and a little rough round the edges, but I am well assured of its confidence. I seek to direct my painting process with a certain purpose through which every line works with the rest of the painting, taking an impressionistic approach to the overall piece. My paintings are proud and they communicate. They vary from extremely abstract to a figurative style, but I maintain consistency through their bold expression and freedom of form.”

facebook-logo  Heather McNab – BA (Hons) Fine Art
“As a mixed media painter, Heather McNab’s practice investigates the
dynamics of the diverse and rugged terrain of the Scottish Highlands (..) Rather than presenting a factual reality, the work constructs an illusion to conjure the realms of the imagination, with a specific focus on capturing the crux of these remote locations and dealing with the documentation of erosion and time itself.”

Screen Shot 2018-07-13 at 12.51.59  Ryan Gill – BA (Hons) Fine Art
My work looks at Modern Symbology & Archetypical stories relating to human narrative. My images are not based upon classic symbols but instead on modern iconography. I explore the meanings we can derive from juxtapositions of the figure and symbols. I am an oil painter mainly concerned with the human figure and the way pictorial images have an impact on our lives.

international-websites-web-icon  Screen Shot 2018-07-13 at 12.51.59  Kim Tiong – BA(Hons) Jewellery and Silversmithing
“Designing for wellbeing is something that highly interests me as I always want to design pieces that can be beneficial to the wearer. My work surrounds a lot of social issues regarding anxiety and mental health: in the past I have explored avenues that surround anxiety, epilepsy and a lack of communication in society. I like to explore these types of sensitive topics in my practise as I aim to make wearable’s that can become beneficial for the wearer and help them have a better outlook in life.”

Edinburgh College of Art

international-websites-web-icon  Jessica Gasson – MA Fine Art
“My bat flight paths trace the path of big brown bats over the course of a
week, the different patterns corresponding to different baths. Navigating
with echolocation bats have remarkable spatial memories, I am
interested in this understanding of space as something very tangible.
The prints are made by tracing the lines of flight with a laser onto a
printing plate, which I then rolled with black ink and printed relief on an
etching press leaving the paper slightly embossed.”

Screen Shot 2018-07-13 at 12.51.59  Laura Dow – MA Fine Art
“I am a Scottish fine art and commercial photographer based in Edinburgh and Bristol whose work explores themes such as kitsch, boundaries, belonging, and identity and examines how they intersect. Using the camera as a tool, I explore the fascination with these ideas and try to identify their wider significance as concepts of constructed realities and ideologies.”

international-websites-web-icon  Screen Shot 2018-07-13 at 12.51.59  Caiyang Yin – MFA Jewellery and Silversmithing
“My project ‘Healper’ is about mental well-being. People tend to have potential metal health issues more often than before due to the fast-paced life. My idea is to design and make a series of playful kinetic jewellery to drive people’s attention away from the negative factors to the simple fun of playing with a piece of jewellery. I choose silicone rubber as my main visual material, which has been widely used in medical and food industry due to its high inertness, thus it is natural to leave people a comforting and safe impression by using them. I design and make these pieces for people who feel depressed or anxious more easily than average. I try to help people release their negative feelings by playing with or simply touching and observing my work. The kinetic structures in my work are not aimed to show off my making skills, but only to realise the designed mechanism to build the ideal interaction between the audience and the pieces.”

international-websites-web-icon  Screen Shot 2018-07-13 at 12.51.59  Nicola Fabian – BA(Hons) Jewellery and Silversmithing
“Childhood memories are strange and contrary things. They evoke images in the
mind’s eye of passing moments, fragmented and filled out by what you think
happened based on the retelling of stories by family and friends. I have drawn on memories of my mother’s garden in South Africa and the many happy days that I
spent playing in this magical place as a source of inspiration. I have tried to convey to the audience a sense of my childhood memories using flowers and foliage in my work, and at the same time draw a parallel between the fragility of the natural environment and memories. The natural environment has always played an important part in my creative process. It provides a rich source of inspiration from which I can develop my work.”

Screen Shot 2018-07-13 at 12.51.59  Caroline Squid – BA (Hons) Painting
“A key aspect to my work is the duality of working with both analogue and digital methods. I find that my finished work sits somewhere between the two. My paintings may adopt the aesthetic of digital drawings, as I paint pixels and copy the rounded edges of digital brush marks. Yet I constantly enjoy the materiality and physicality of paint, be it thick oil or drippy gloss.”

international-websites-web-icon  Charlotte Phillips – BA(Hons) Painting
“In asking “how many times have I been photographed without my knowledge?” I examine my own archive of photographs and find within this family album a catalogue of the accidentally photographed. So much of our photographic practice is unconsidered, especially compared with the practice of painting in which the artist meticulously designed and painted each detail. Focused on our chosen subject, we do not consider the worlds that exist parallel within the camera frame. Stitching these figures with similarly background aspects of classical paintings I seek to subvert their contexts and give the unconsidered new weight.”

international-websites-web-icon  Isaac Moss – BA(Hons) Painting
“Isaac Moss is an artist based in Edinburgh. A graduate as of June 2018, Isaac studied ‘Fine Arts’ specialising in painting at Edinburgh College of Art. Isaac’s Practice explores the relationship between image and language,  predominantly using the mediums of painting and printmaking. Artist based in Edinburgh. A graduate as of June 2018, Isaac studied ‘Fine Arts’ specialising in painting at Edinburgh College of Art. Isaac’s Practice explores the relationship between image and language,  predominantly using the mediums of painting and printmaking.”

Screen Shot 2018-07-13 at 12.51.59  Nancy Nightingale – BA(Hons) Painting
“Within my work, I observe how changing daylight transforms spaces through elongated shadow forms. I like to think of materials as a tool for creating visual noise, where quieter moments exist within subtle changes in texture. By abstracting the original space, I capture the mood and poetic nature of each space without the need for explicit definition.”

Screen Shot 2018-07-13 at 12.51.59  Sarah Brown – BA(Hons) Painting
“While studying painting at Edinburgh College of Art, I have taken on many extra-curricular roles as a set designer. I have worked on a number of projects, both film and theatre based, with other university students. My piece, ‘BUT THE KITCHEN SINK’, was made to look like a theatre set, showing the incorporation of production design into my studio practice, combined with ideas of familiar spaces and the manipulation of perception.”

international-websites-web-icon  Chloe Hamill – BA(Hons) Photography
“Chloe Hamill is a fine art photographer working in still life and portraiture. She enjoys making visual contrasts and combining the mundane with the surreal. Mobile Seduction comes from the wider series  #MillennialProblems which looks at how young people are represented in online articles and social media. Young people are often used as a scapegoat for wider problems in society. The project aims to poke fun at these ridiculous statements.”

international-websites-web-icon  Doug Mackie – BA(Hons) Sculpture
“I am an artist living and working in Edinburgh, Scotland. My primary medium is sculpture but my practise is somewhat eclectic, encompassing artists books, print making, video, sound and photography. I consider myself a maker, concerned with formal sculptural qualities, foregrounding process and materiality. The visual, tactile and presence of the material are important aspects of my work, while gesture and repetition are common elements. My work is rooted in a socio-political context typically responding to observations seen or heard. The way I work and the sculptural language that I use demands a particular approach to research.”

Screen Shot 2018-07-13 at 12.51.59  Ladina Clément – BA(Hons) Sculpture
“Ladina Clément is based in Edinburgh and London. Her practice combines sculpture with video and photography to create installations, which often contain an element of performance or engagement. Her multi-faceted approach questions human behaviour and hierarchies; probing into social, cultural and religious situations. The physical and digital work, the three-dimensional and two-dimensional, the past and present intertwine; they are products of one another. The viewer has an imperative role within her conceptualisation. Clément employs humour as a way of instigating and promoting participation, hoping to welcome more diverse audiences into the gallery space.”

Glasgow School of Art

international-websites-web-icon  Screen Shot 2018-07-13 at 12.51.59  Aileen Gray – BA(Hons) Jewellery and Silversmithing
“Aileen was initially inspired by the repetitive and angular nature of the urban environment with contrasting elements drawn from the warmth and light from inside the buildings and homes.  Aileen uses a combination of steel and oxidised copper and silver for the base of her structural forms incorporating orange enamel paint. In selected pieces subtle textures and patterns are created using the etching and photo etching process.”

Screen Shot 2018-07-13 at 12.51.59  Debbie King – BA(Hons) Jewellery and Silversmithing
“I am a jewellery designer and create kinetic jewellery. My work explores the interactions between jewellery and the body, looking at how jewellery is used as a mechanism for stress release through fidgeting. The work focuses on appealing to the senses of touch and sight using calming colours and repetitive movements to create pieces that act as a soothing presence to the wearer. The visual inspiration was taken from anatomical forms as it runs parallel to how the body fidgets and plays with jewellery.”

Screen Shot 2018-07-13 at 12.51.59  Katie Watson – BA(Hons) Jewellery and Silversmithing
“My collection is depicting nature’s beauty, and the magnificence that is all around us. My making process starts with a walk, whether it be along the coast or overcoming
obstacles in the woods, focussing particularly on my home town of North Berwick. I collect anything I find of interest, from fallen leaves, pine cones, or an unusual fragment of shell, as well as photographs. Using these as inspiration, I look at the patterns, lines and textures I have found and translate them into metal using ‘chasing and repousse’. This technique lends itself beautifully to re-imagining these forms in my silversmithing, as it allows me to create many varied organic lines and forms, thus bringing the outdoors in.”

international-websites-web-icon  Screen Shot 2018-07-13 at 12.51.59  Angus Fernie – BA(Hons) Painting and Printmaking
“My work is strongly grounded in two firm beliefs; The notion that representational paintings (particularly figurative) are not dead as many claim and the idea that everything is, to some degree, very silly. Working within the tradition of oil painting, the work has an improvised and ambiguous narrative creating an immersive space which is both believable and absurd. drawing heavily from the absurd of humour internet memes, the work aims to guide the viewer through an imagined interior house scene, making them part of the work itself.”

international-websites-web-icon  Claire McGinlay – BA(Hons) Painting and Printmaking
“Claire Carden McGinlay explores the ethics surrounding Commodity Fetishism within postmodern theory. Her practice is corporal in investigating the relationship between the social and physical landscape within the urban city. She obsesses over stock photography, which has a significant niche that represents the generalised and fetishized nature of imagery within our digital age. Each painting is sourced from strong descriptive newspaper articles which allow the artist to create her own visual language.”

international-websites-web-icon  Hazel Brown – BA(Hons)Painting and printmaking
“Hazel Brown’s personal work explores humanity’s primordial fascinations and desires, particularly regarding story. Delving into folklore, fairytale and imagined worlds whilst also developing her own personal mythology. With narratives that intertwine and converge, the creatures inhabiting her ​universe are often not what they seem.”

international-websites-web-icon  Kirsty McArthur – BA(Hons) Painting and Printmaking
“Our social media personae are the garlands we wear daily, and we are gifted by The Graces with notifications. @isolamaeatlas is a wild woman, existing in a realm we can only dream of, using the earth and its bounty as inspiration for her winding Instagram posts about spirituality and self.”

Screen Shot 2018-07-13 at 12.51.59 facebook-logo  Laura Speirs – BA(Hons) Painting and Printmaking
“My work is entirely personally motivated, exploring personal issues through paint. Painting allows me to gain a better understanding of myself, especially as the process is so cathartic in nature. I do not anticipate the final outcome of each piece as I prefer the artwork to slowly emerge through the development of the work. I have always enjoyed painting in an abstract style as I appreciate the concept of deciphering a piece of artwork in order to fully comprehend its complexities. These interpretations will be unique to each viewer, making the artwork much more personal in nature.”

Screen Shot 2018-07-13 at 12.51.59  Marina Renee-Cemmick – BA(Hons) Painting and Printmaking
“Marina Renee-Cemmick works figuratively to construct charcoal drawings, oil paintings and sculptures from steel, clay and plaster. She has a fascination with people and a desire to understand the complexities of human experiences. She is drawn to subjects that those that expose our fragility and the transitory nature of our existence and is interested in removing the layers, exposing the bones beneath the flesh, the underlying structures. Her current work looks to link hidden infrastructures of the human body and built environment by considering the city as a living organism,  breathing, growing and deteriorating. She explores the breaking down of systems which require human intervention in order to mend and in exposing the breaking down of our smoothly running systems, renders a vulnerability to our carefully constructed world.”

international-websites-web-icon  Molly Hankinson – BA(Hons) Painting and Printmaking
“My practice focuses on scrutinising, and then taking ownership of the way that
womxn are presented in society today and, on a wider scale, concentrates on the
realistic and unidealised representation of femininity as a whole.
These digital prints are a response to an open call conducted in Glasgow, in an attempt to gain a wider understanding of contemporary femininity from an intersectional and inclusive perspective. The project focused on highlighting and championing each individual’s own personal experiences, through informal interviews conducted in the subjects’ own homes. The portraits have been executed using a combination of hand drawn techniques and digital software.”

international-websites-web-icon  Rosa Quadrelli – BA(Hons) Painting and Printmaking
“When entering a therapist’s office, a young child may be given dolls that enable them to re-enact situations that have made them uncomfortable or have caused them trauma. These dolls can act as substitutes for relevant people in a child’s life or more abstract characters that personify a child’s emotions. The ’Theatre of Memories’ is the name given to the collection of puppets and dolls by Scottish visual artist Rosa Zaira Quadrelli which are her reimagining of these therapy aids. A group of characters and creatures, both mundane and fantastical, seek to represent not only the people in her life but characters of historical significance that are symbolic of broader ideas and emotions.”

international-websites-web-icon  Yi Yang Liu – BA(Hons) Painting and Printmaking
“The medium that I specialize is stone lithography. I’m interested use this medium to explore the relation between human will and expansion of nature. Seeking into the conflict, collision of those two, in the process generates organic paradoxical situation. Hoping to visualize this sense of illogical organ form, the invisible net that interweave our will and our surrounding environment.”

Screen Shot 2018-07-13 at 12.51.59  Cecilie Neumann – BA(Hons) Fine Art Photography
Out in nature, I seek a state of mind, where I can remove myself from my surroundings and achieve a greater sense of my self. I bring this to my work, in my aim to create a space for discovery of both the spiritual and earthly elements of natural phenomena. I mainly work with analogue photography, darkroom printing, drawing and collected objects in my attempt to create sculptural and imaginary interpretations of the land.”

international-websites-web-icon  Magdalene Wanderlust – BA(Hons) Fine Art Photography
“My recent project, “Here’s Water and Also a Rock”, focuses on the unconscious rather than the conscious; the hidden rather than the apparent. I particularly seek things which are concealed and detached from the world; fragmented and fluid; like in the state of dreaming. Water is like a mirror. Yet, its reflection is never a simulacrum. Water creates its own unique eye-deceiving constellations of colour; illusions. Water is also a versatile element that is subject to constant change. It is never the same.”

Grays School of Art

international-websites-web-icon  Screen Shot 2018-07-13 at 12.51.59  Amber Watson – BA(Hons) Three dimensional Design
The inspiration of these piece have derived from the luxurious lifestyle choices found living in London. Inspired by high end bars, shops and landmarks encountered daily. An aesthetic of bold shapes, lines and angles has heavily influenced my designs. The detail of coloured acrylic running throughout the pieces reflect the vibrant youthfulness of the city. Throughout my design process aesthetic comes before function however, is never disregarded.

Screen Shot 2018-07-13 at 12.51.59  Ella Porter – BA(Hons) Three Dimensional Design
“When I am designing, I prefer to make practical objects, that are made to be used. For this project I am exploring what it is like to be living in a multi-generational household, as this type of living situation is becoming more common in the UK. From a design perspective it creates some interesting challenges due to the large age range; each age group has its own needs. I am specifically looking at the kitchen as this is the busiest part of the home, and a place where a lot of accidents can happen. I have been working a lot with new technology as well as traditional manufacture methods, I find the journey from initial sketches, to the computer screen, then into a physical object fascinating.”

international-websites-web-icon  Ruth Saunders – BA(Hons) Three Dimensional Design
“I have decided to focus on castles around Mearns and Aberdeen and have created three ranges of contemporary jewellery that reflect the wee quirks and characteristics of each of my chosen castles: Edzell, Kildrummy and Slains. These features have informed the design of each piece of jewellery to create an interesting balance between the broken down stonework of the buildings and the sleek, clean aesthetic of the jewellery.”

Screen Shot 2018-07-13 at 12.51.59  Annalisa Merrilees – BA(Hons) Fine Art
“My process derives from an interest in the mental and physical limits of the body. Delicately painted over a long period of time, the work appears at first to be mechanically made but reveals it to be the product of a careful hand. By using a random number generator to allocate colours to the base grid, the painting begins its life illogically. The random and deliberate actions come together to create a sufficient formal balance within the work.”

Screen Shot 2018-07-13 at 12.51.59  Deni Black – BA(Hons) Fine Art
“The cheerful expressions on the faces of inflatable animals mirror the vibrant joyful colours with glistening highlights scattered along their glossy surfaces. They are however, merely, mass produced toys, which succeed in making the consumer amused and jubilant in their presence. The love and happiness that came from these consumer products can be interrelated to how one feels towards real animals. However, in reality, we control, manipulate, use and abuse these very same animals for our own benefit. The work I create stem from this dichotomy.”

Screen Shot 2018-07-13 at 12.51.59  Martin Richens – BA(Hons) Painting
“Take a inch of Lichtenstein, add a dash of Klimt’s golden phase, slice up some 1970’s Peter Phillips, read a ton of bronze age comic books, make a stand for contemporary realism, add technical skill and craft to the mix and huzza, you have a recipe for Neo-Pop, or perhaps Scot-Pop, or maybe even Contemporary Neo-Pop. Label it as you will. Martin Richens has taken the visual narrative qualities of sequential art and combined them with a hyper-realistic exaggeration of colour and vibrancy. However, beneath the veneer of colour and light lurk a dark nostalgia.”

Screen Shot 2018-07-13 at 12.51.59  Samantha Cheevers – BA(Hons) Painting
“The letters and objects I have found inside derelict buildings help to create a narrative that brings a surreal and peculiar environment to my work. My work is focused on bringing the outside into these empty spaces, and exaggerating certain aspects of the design using pattern and colour. I apply various materials and techniques in my work ranging from watercolour pigments, to laser cutting, creating depth and layers that mirror the aesthetic of the decayed interiors.”

Screen Shot 2018-07-13 at 12.51.59  Marcus Bowie – BA(Hons) Commercial Photography
“Glasgow, a different perspective. With this collection of images I offer a glimpse into a never before seen viewpoint of both historical and modern Glaswegian architecture. Through the use of the editing process in post-production I was able to manipulate and distort simplistic images into abstract creations each presenting the potential for several unique interpretations. The diverse nature of these images are targeted at those who have an appreciation of abstract thought provoking artwork or aesthetically pleasing designs produced by a variety of different geometric shapes. Most of the work I produced before commencing the BA Photography course at RGU revolved around people and taking portrait shots capturing the models personality. Throughout the past year I have incorporated the same approach however directing my focus towards architecture with my main aim being to bring buildings to life. I enjoy creating and sharing my work allowing people to engage and experience my ideas through the lens of a camera.”

Marie Hardie – BA(Hons) Commercial Photography
“Nature is one of my favourite subjects to capture. With visual artists as well as writers having long celebrated the existence of the tree… photographers like myself, are no exception. I decided to print my work onto cotton, so that the trees could move around, as if blowing in the wind. The beauty and elegance of these mighty structures elicits peace within me, a feeling that will hopefully progress through my photographs.
There is beauty in everything.”


Do you want to join our creative community?

Keen to learn something new in 2018, and inject some creativity into your week? Here’s your opportunity to find your niche. Whether you’re a novice and want to see what you’re capable of or experienced and want to revisit an old passion…

Then here is your opportunity. We offer classes that could help you to reach your creative aspirations. See if there’s something that takes your fancy…

Upcoming Classes


Life Drawing Classes

Looking for something new to try this summer? Need something fresh for your portfolio? Or just want some practice drawing the human form? Then join Six Foot Wider as it launches its new Life Drawing class! Beginners welcome!
This six week block of classes begins 23rd of July and runs until the 29th of August and will be held every Monday and Wednesday.
Monday classes will be held by artist and Glasgow School of Art graduate Hannah Lyth. These will be on at 7pm until 9pm.
Wednesday classes will be held by artist and University of Stirling graduate Róisín Gallagher. These will be on at 6.30 until 8.30pm.
Participants will pay £120 for a six week block of classes and will attend either the Monday or Wednesday class. If you wish to attend both the Monday and the Wednesday class this will cost £240.
Materials used for these classes have been kindly provided by CASS Art Glasgow who have sponsored these classes. As further support for Six Foot Wider participants of the life drawing classes, CASS Art has given you a coupon to spend at CASS Art!
Progress your skills and get your hands on the best art materials by signing yourself up to this class!
For further information, please contact (Six Foot Gallery), or call 0141 221 3704.

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Current Classes

Botanical Painting Workshop (Bi-weekly)

Woodcarving for Beginners (Weekends)

 Jewellery Workshop (Bi-weekly)

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Keep your eyes peeled for updates on our Facebook, Instagram and Twitter.



Do you want to join our creative community?

Keen to learn something new in 2018, and inject some creativity into your week? Here’s your opportunity to find your niche. Whether you’re a novice and want to see what you’re capable of or experienced and want to revisit an old passion…

Then here is your opportunity. We offer classes that could help you to reach your creative aspirations. See if there’s something that takes your fancy…
Upcoming Classes

19.04.2018 – 20.04.2018  Botanical Painting Workshop (Bi-weekly onwards)

31.03.2018 – 01.04.2018 Woodcarving for Beginners (Weekly onwards)

26.04.2018 – 27.04.2018  Jewellery Workshop (Bi-weekly onwards)



Keep your eyes peeled for updates on our Facebook, Instagram and Twitter.






30th October – 30th November 2017

Dalnaskhl Design

Gillian has always looked at her surroundings and taken inspiration from what is around her, feeling privileged and humbled by what she finds.

She is fascinated by texture and shape, enjoying materials which are unusual and tactile and appear as if they have they have their own story to tell. The Ayrshire coastline, where she lives and works, features heavily in her designs. As well as the beautiful scenery, rich in inspiration, the area is steeped in history and heritage. Coming from, and returning to live by the seaside has allowed her work to reflect this both through design and materials used, giving her jewellery an organic and natural feel.

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There are two main types of work produced. The first is within the world of fold-forming, or forging, where each piece is individually made by hand and hammer, resulting in unique organic shapes.

The other area is comprised of cast shell pieces as components, where the original moulds have been made from shells collected on the local beach, with the lost wax method then used to produce the metal masters for casting.

RELICS // KIRSTY DALTON – Jewellery Showcase 2017

2nd October – 26th October 2017



Scottish designer Kirsty Dalton creates her Relics jewellery line by upcycling various fragments of superfluous metals while focusing heavily on colour, texture and decay. Relics takes discarded or scrap jewellery and revitalises it into fresh new designs. In essence, it is a contemporary take on the idea that “one person’s trash is another’s treasure”.

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Each piece is one of a kind; individually handcrafted, composed, arranged, painted and set in resin. These works aim to capture the aura of industrial and derelict areas within the urban cityscape, while simultaneously illustrating the beauty such spaces have to offer.

“I wanted to capture an essence of the people around me, by utilising materials that they have used and discarded. By transforming this range of materials, I hope to address the topic of waste, whilst giving the objects and materials the opportunity to be seen with a sense of reflection and perhaps, even admiration.”

Conceptually, this stemmed from Kirsty’s interest in found objects and how they can effect as well as define certain aspects of our lives. “I believe the process of decay and waste encapsulates a great deal about society and our transformative role within it.”


Six Foot Gallery’s Jewellery Showcase 2017 Programme presents the work of emerging jewellery makers over the course of 2017.


Amanda Louise Bernard

at Six Foot Gallery

1st August 2017 – 31st August 2017

Fuelled by my fascination with the Human Body and its health and well-being, my process began by investigating microscopic images of human cells. Focusing my research on their organic forms, vibrant colours and interesting textures, my aim was to dissect and transform these organisms out-with the human body, transferring them onto the wearer in a new light.

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Through the combination of silver and alternative materials, I have produced a collection of incredibly colourful and tactile pieces of contemporary jewellery that evoke a sense of fun and play with its audience. The exploration of materials and texture throughout my designs creates a sensory need to interact with the pieces. Therefore, developing a deeper connection between them and the wearer, transforming the relationship we have with jewellery altogether.

For further enquiries please email or – prices available upon request.



Eleanor Patton

at Six Foot Gallery

10th May 2017 – 10th June 2017

Eleanor with two of her pieces; Recovery Cycle, necklace (£610) and Recovery Pendant (£240)

For Eleanor, mirrors represent the presented self. They are a literal reflection of how we wish to be seen, hiding beneath the surface is our true selves. By using whole, broken, and repaired mirrors, this collection of jewellery explores the different stages of mental health and illness and the pressure to present a perfect image of yourself, when inside you are broken.

Using the Kintsugi technique of repairing with gold, she has created pieces of jewellery which show the beauty in the broken. The golden cracks show that the damage is part of one’s history, rather than something to be disguised. Eleanor wants people who struggle with depression, anxiety, every mental health problem there is, to know that it is not something to be ashamed of, that we should feel proud for having fought such a hard and misunderstood battle. Most of all Eleanor wants to show the beauty of having been broken.

‘Healing Process’ Necklace, made from ethical silver, glass mirror, metallic dust: £315


This collection represents Eleanor’s personal experience with mental health and she hopes it opens discussions surrounding other people’s experiences.

Kintsugi: knowing that something is more beautiful for having been broken

For more information on Eleanor’s jewellery visit:

Photo Credit:

The models featured are volunteers who are dealing with mental illness.


Kirsten Manzi

at Six Foot Gallery

10th May 2017 – 10th June 2017

Kirsten Manzi is a jewellery designer and maker based in Dundee, Scotland. She set up Kirsten Manzi Jewellery Design in November 2015 launching her debut collection of structural, handmade silver jewellery.


Kirsten Manzi_Image 3
Maxi Earrings, Oxidised Sterling Silver: £38


After graduating from Duncan of Jordanstone with a degree in Jewellery and Metal Design, Kirsten worked in a jewellery repair workshop for 3 years gaining knowledge in design development, manufacturing and repairs. She has exhibited across the UK at exhibitions including the prestigious New Designers, The Barbican and Lesley Craze Gallery in London. Kirsten also participates in a number of Pop-Up events across Scotland.

Fragment Bar Necklace, Oxidised Sterling Silver: £58

Now working from her home studio, Kirsten creates serene, minimalist jewellery inspired by bold geometric shapes and architectural structures. Crafted in solid silver, Kirsten designs each piece using clean, streamlined, aesthetics with many pieces unfolding themselves in the workshop rather than in sketchbooks. With the belief that there is beauty in simplicity she transforms the aesthetics of the built up urban environment into delicate, structural jewellery pieces.

Oxidised Sterling Silver Rings: £35 each

Each piece of Kirsten Manzi Jewellery is designed, made and finished by hand in Kirsten’s home studio, using a mixture of traditional and modern techniques. Focusing on quality craftsmanship and subtle details, Kirsten aims to provide each customer with simple, understated jewellery pieces to be worn and enjoyed every day.

As well as her own designs, Kirsten works with clients to create limited edition and one-off commissions.

For more information on Kirsten’s jewellery visit:




Ntina Doryforou & Christos Vroullis

at Six Foot Gallery

10th April 2017 – 9th May 2017

Ntina Doryforou started establishing in 1991, with her husband Christos Vroullis, in Greece, their own workshop and creating their first handmade items of mouth-blown glass.

After 13 years of experience with glass, working with it freely without moulds, they began making handmade glass beads. Their success in this area encouraged them to create new items and experiment with new materials such as copper, brass and sterling silver.


In 2005, they opened their own shop in the centre of Thessaloniki, Greece. Recently, in 2015, they moved to Edinburgh, where they continue their inspiring creations.
Now, they design and create handmade lights, mirrors, clocks, bowls, hangers, artistic jewellery and anything else that inspires them! They draw inspiration from nature and from ancient history.


They have participated in many trade fairs in Greece, Germany and UK.
All their items are distinguished by their original, natural style which allows the handmade character of the object, and the original earth materials used, 
to be brought out.


Iona Hall at Six Foot Gallery

20th February 2017 – 20th March 2017

This February, Six Foot is proud to showcase the works of Glasgow School of Art Students Iona Hall.


Iona Hall is a third year student in Jewellery and Silversmithing at Glasgow School of Art. Inspired by the natural forms, colours and textures she encounters in the environment around her, Iona works predominantly with metals – particularly wire – bending and twisting it into different forms. By making miniature sculptures as well as pieces for the body, she aims to challenge the traditional role of a jeweller. Iona’s work endeavours to investigate ways of expressing the hidden self, prompting the viewer to consider different life perspectives and allow for imperfections.


By exploring the many strands and intricacies of mental health, Iona challenges the viewer’s prejudices and levels of judgement. Each of the twenty objects on display in the Six Foot Gallery represents a visual interpretation of a different mental health issue. Iona has used – amongst other materials – silver, copper, wire and wood to translate her own understanding of these issues into small holdable objects. Her intention is that, upon holding the work in their hand, someone might be able to appreciate the contrast between the small and unthreatening physical object and the magnitude of the emotion it represents for a sufferer.



Paulina Knapik and Sandra Zinkuté at Six Foot Gallery 

10th January 2017 – 24th January 2017 

 This January, Six Foot is proud to showcase the works of Glasgow School of Art Students Paulina Knapik and Sandra Zinkuté.


Paulina Knapik is a 3rd year, Silversmithing and Jewellery Design student at The Glasgow School of Art.  Paulina’s artistic practice seeks to balance between fine art and commercial jewellery. Her main inspirational sources are: nature, urban geometry, contrasts in the surrounding world, music, paintings. The variety of works on show cover this range of inspirations, and highlight her skills as a maker.


Sandra Zinkuté is a 3rd year, Silversmithing and Jewellery Design student at The Glasgow School of Art. Sandra’s work is influenced by nature and her changing surroundings. Her newest collection was inspired by the architecture of Glasgow and her observations of nature and plants in the Botanic gardens. Rough surfaces mirror that of the organic life in the city while the outline of the pieces offer a more formal structure and contour.  Her objects are interactive, only finished when held in the hand or between the fingers.