13th April – 10th May
FLOORPLAN AND PRICELIST
Healy and Gray have known each other for most of Healy’s life. They collaborated on a stained glass window for Clackmannanshire Council in 2009.
Healy and Gray have never exhibited their artwork together in an exhibition, before now. Through Healy’s connection with Butterfly Conservation, they visited the developing wildflower meadow in Pollock Park, Glasgow in 2017. Following a day planting seeds and plants for the planned urban meadow in Pollock Park, it led to discussions regarding the developing wildflower meadow to encourage biodiversity and to also highlight the work being done at Pollock Park and in other urban environments.
Siobhan Healy was one of the many talented artists who were part of our group exhibition 2018 Showcase, and we are extremely excited to have them back for their newest exhibition!
Due to the Easter weekend, our gallery office will be closed Good Friday the 30th of March and Easter Monday the 2nd of April. Our office will open again for its regular hours on Tuesday the 3rd of April. If you need to contact us please email us at email@example.com and we will get back to you as soon as possible.
Happy Easter from Six Foot Gallery!
9th March – 6th April
FLOORPLAN & PRICE LIST
Eilidh Morris encourages their self-conscious to work through automatic art-making and expressive use of colour. The creative practice of making imagination art relies on honest self-representation and a belief that there are no real accidents in terms of content. A psychological element is always present and brings greater introspection on completion of a drawing or painting. Eilidh describes it as imagination art and hopes to evoke conversation and fascination through the dream-like chaos that unfurls on canvas.
‘In Defence of Excessive Sleeping’ is a collection of artworks reflective of Eilidh’s varied artistic styles. The title refers to Morris’ mental health and the positive effect ‘excessive sleeping’ has on the imagination. Perhaps it is okay to sleep for 15 hours if the result is a burst of curious invention. Each piece tells a different story but all were created in a very emotive and fluid artistic process using paints, pro-markers and POSCA pens. This includes autobiographical portraits such as “Maple Cabin” based on a trip to Canada, and “Paisley 2014”,the latter of which blurs a line between memory and nightmare. Also included are creations which exist wholly in a fantasy realm, such as “It’s Waking Up,” which depicts a huge ‘King Worm’ arising from its slumber in a deep, dark cave, and “Theia”, an imagined portrait of a powerful cosmic being.
Eilidh recently brought their multi-coloured imagination to life with the design and painting of a large, unicorn-themed rhino sculpture in Hamilton’s “The Big Stampede” public art trail in summer of 2017. This was eventually auctioned in aid of Glasgow Children’s Hospital Charity. Also in 2018, Eilidh’s graphite piece “Spinal” was published in North-east Scotland’s Magazine of New Writing, “Pushing out the Boat”, and the illustration “Hyper-Stimulation” was featured in mental health charity Subconscious’ pop-up exhibition in San Francisco to help raise awareness and eradicate stigma associated with mental illness.
“In Defence of Excessive Sleeping” is Morris’ first solo exhibition.
Eilidh Morris was one of the many talented artists who were part of our group exhibition 2018 Showcase
, and we are extremely excited to have them back for their very own solo show!
Be sure to check out more of Morris’ work by following these links:
Six Foot Gallery would like to propose this exhibition ‘PEOPLE SHAPE GLASGOW: AN OBSERVATION IN PRINT’ to the members of the Glasgow Print Studio to offer an additional platform to exhibit their works in Glasgow and to see what their observations are of Glasgow and it’s people. Who are the people that shape Glasgow and what marks have they left on the city?
The theme of this exhibition although regional is to be liberal in avenues of thought and direction welcoming experimental interpretations of this title in portraiture, still life, abstract, and landscape.
On entering into our exhibition, we’d also like members to write a short paragraph explaining their visual interpretation to the title to which we would then compile the statements into an exhibition catalogue.
Important dates are as follows:
Digital Submissions Deadline: 20th of September
Hand in dates: 4th/ 5th/ 8th of October
Exhibition: 12th of October – 9th of November
Preview: 12th of October
Maximum 2 works (Space pending).
£5 fee per work entered.
To enter into this exhibition please send images of your work to firstname.lastname@example.org along with your personal statement.
Please note our office opening hours are: Monday, Tuesday, Thursday and Friday 10am – 5pm.
Do you want to join our creative community?
Keen to learn something new in 2018, and inject some creativity into your week? Here’s your opportunity to find your niche. Whether you’re a novice and want to see what you’re capable of or experienced and want to revisit an old passion…
Then here is your opportunity. We offer classes that could help you to reach your creative aspirations. See if there’s something that takes your fancy…
19.04.2018 – 20.04.2018 Botanical Painting Workshop (Bi-weekly onwards)
31.03.2018 – 01.04.2018 Woodcarving for Beginners (Weekly onwards)
26.04.2018 – 27.04.2018 Jewellery Workshop (Bi-weekly onwards)
Keep your eyes peeled for updates on our Facebook, Instagram and Twitter.
9th February – 8th March
FLOORPLAN AND PRICE LIST
Remaining Colours is a series of work which is derived from Shakir Mughal’s previous exhibitions (Chasing Colours – 2016; Blinking Colours – 2015; Dreaming Colours – 2014), sharing a divine affiliation with colour.
“In this work, I have created many forms and shapes with colours in a conceptual way by merging different layers of colours and produced a variety of colourful patterns, differentiating colours and their movements.
Remaining Colours represents the colours that have been left behind during previous exhibitions. However, it is not different from past work. It is produced in the same method and techniques in a very contemporary and abstract way by using colours as a tool to express inner catharsis.”
Be sure to check out Shakir’s work from Friday 9th February.
12th January – 7th February
Utilising traditional methods of hand carving and wood turning; Dalton’s approach is instinctive. Inspired by nature, with a focus on bold patterns accentuated by intricate detail: Primitive aims to capture the essence of prehistoric art combined with contemporary craftsmanship.
Primitive is a line of wooden works produced by Scottish designer Kirsty Dalton. Handcrafted from cuts of natural wood, each piece is individually shaped and burnt free hand; using a process called Pyrography; complimenting the unique, natural form of this beautiful medium.
Join Six Foot Gallery as it welcomes a fantastic group of artists that will be exhibiting with us over the next year, along with showcasing the best art that Glasgow and beyond has to offer.
This year’s highly anticipated exhibition will include a variety of painting and sculptural work by:
Tom Brown, Kate Curry, Daniel Donnelly, Róisín Gallagher, Aurore Garnier, Callum Harper, Siobhan Healy, Vincent Langaard, Hannah Lyth, Alice Martin, Michael McVeigh, Gary Milne, Shakir Mughal, Caterina Monasta, Louise Montgomery, Eilidh Morris, Fionnuala Mottishaw, Anne-Marie Pinkerton, Abbey Rawson, Rachael Rebus, Alexandra Sarah and Hayley Whittingham.
In addition, we will have beautiful jewellery on show from Amanda Bernard and Gillian Ryan.
Click here for the floor plan and price list.
30th October – 30th November 2017
Gillian has always looked at her surroundings and taken inspiration from what is around her, feeling privileged and humbled by what she finds.
She is fascinated by texture and shape, enjoying materials which are unusual and tactile and appear as if they have they have their own story to tell. The Ayrshire coastline, where she lives and works, features heavily in her designs. As well as the beautiful scenery, rich in inspiration, the area is steeped in history and heritage. Coming from, and returning to live by the seaside has allowed her work to reflect this both through design and materials used, giving her jewellery an organic and natural feel.
There are two main types of work produced. The first is within the world of fold-forming, or forging, where each piece is individually made by hand and hammer, resulting in unique organic shapes.
The other area is comprised of cast shell pieces as components, where the original moulds have been made from shells collected on the local beach, with the lost wax method then used to produce the metal masters for casting.
6th October – 16th November
FLOOR PLAN AND PRICE LIST
“This latest body of work aims to explore symbolically, both the outer political, social and cultural landscapes of our time, as well as the inner landscapes of the human psyche.
These landscapes are painted intuitively and without any pre-editing, or reference to any particular place in mind. They evolve naturally and without scrutiny, which allows for a narrative to unfold.
The writings from Herman Melville’s Moby Dick, “For this appalling ocean surrounds this verdant land, so in the soul of man there lies one insular Tahiti, full of peace and joy, but encompassed by all the horrors of the half-lived life” was a starting point to this work and was influential in anchoring the context both at an existential level and ethereal level.
“Consider the subtleness of the sea; how it’s most dreaded creatures glide underwater, unapparent for the most part, and treacherously hidden beneath the loveliest tints of azure… consider all this; and then turn to this green, gentle and most docile earth; consider them both, the sea and the land; and do you not find strange analogy to something in yourself?” Herman Melville. “