👣 Submissions are open for our upcoming winter show 👣
TRACES // Like footprints left in the snow or the warmth that endures after an embrace, we leave marks and traces on the world that remain in our wake. Our seasonal exhibition explores the imprint of human presence, from the beauty of wear and tear on well-loved objects to a fingerprint on a fogged-up window.
We’re looking for work that speaks to what lingers between presence and absence, material and memory, the visible and the unseen. This could mean mark-making, layering or tracing in a literal sense, or it might be a more intangible exploration: the spaces between people, breath misting in the cold, a touch that lingers long after someone’s gone. Whether through subject, colour, texture, or mood, we welcome your interpretations of the theme.
Email us a photograph of the work you’d like to submit, and tell us a bit about yourself and your practice. As always, submissions are open to all mediums and disciplines and to both established and emerging artists.
In honour of Sándor and Erika Nagy, half of our income from this year’s Winter Open Call will be donated to Glasgow’s Marie Curie Hospice.
Submission deadline: Tue 25th Nov Maximum works per artist: 3 Submission Fee: £10 per work Drop off dates: 27th + 28th Nov, 2nd Dec Exhibition dates: 4th Dec – 6th Jan Opening night: Thurs 4th Dec 7-9pm
As always, we must be mindful of our environment in the Pentagon Centre and we cannot display any blatant profanity, graphic imagery, or nudity, so please cover all depictions of such with a dusting of snow.
Winter Open Call Moodboard
O.T by Birgit Klerch, 2023A Few Palm Trees by Edward Ruscha, 1971The House that Jack Built by Donald Rodney, 1987A Line Made By Walking by Richard Long, 1967Beautiful Sunday by Jacqueline Donachie, 2021Apartment Life by Win McCarthy, 2016Better by Karla Black, 2010-21Blue by Derek Jarman, 1993Bound Space by Hisako Sekijima, 1997Ceramic Cup by Aenne Biermann, 1929Breathing by Andrew Lord, 1996–2000Dear and Departed by Rania Hassan, 2012Detail of Untitled (Blue Placebo) by Felix Gonzales Torres, 1991Etude by Edgar Degas, 1892Elective Affinities by Hannah Wilke, 1978Fauna Jukebox by Alec Finlay, 2018Eye Contact by Julia de Ruvo, 2023Feeling The Blues by Roshana Rubin Mayhew, 2025High Slack Low Slack High Just As The Tide Was Flowing by Hanna Tuulikki, 2012Hares In Winter by Bob Bain, 1988Jardin des Plantes, Paris by Evelyne BouchardLa Belle Endormie by Zadkine, 1960Lithograph in Mushroom Book, Plate VIII by John Cage, 1972Landform ErosionI II by Charlotta Hauksdottir, 2022On and Off Mountains by Alec Finlay, 2014Lithograph in Mushroom Book, Plate VIII by John Cage, 1972Mittens and Moth Eggs by Kathy Prendergast, 2000Precipitous by Nicole Pietrantoni, 2014Topography Study XXIX by Charlotta Hauksdottir, 2019Sail Out Of Sleep by Susan English, 2020Remains of the City by Zarina, 2001Remains of the City by Zarina, 2001Sensible Ellipse of Lost Origin by Avis Newman, 1985–6Snow Circles, Izumi, Japan by Andy Goldsworthy, 1987Study for Trace by Jack Tworkov, 1958Stillness by Victoria Crowe, 2002Sunshine Bicho VI (At Midnight) by Theodore Ereira-Guyer, 2024The Caster of Dreams by Christopher Wood, 2024The Clown Situation (Grey Stripe) by Brian Griffiths, 2007The Speaker by Zadkine, 1967Study for Trace by Jack Tworkov, 1958Thicket No. 1 by Roni Horn, 1989–90Trace Marks Book by Lotta Helleberg, 2018Through the Looking Glass, Man Walking on Forest by Isabelle Jeandot, 2021Untitled (Genesis) by Mira Schendel, 1965Untitled (Loverboy) by Felix Gonzalez-Torres, 1989Wilhelm Gunkel, 2021Untitled (Nine Tables) by Rachel Whiteread, 1998