BIODIVERSITY // SIOBHAN HEALY AND ALASDAIR GRAY

13th April – 10th May

FLOORPLAN AND PRICELIST

Healy and Gray have known each other for most of Healy’s life. They collaborated on a stained glass window for Clackmannanshire Council in 2009.

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Healy and Gray have never exhibited their artwork together in an exhibition, before now. Through Healy’s connection with Butterfly Conservation, they visited the developing wildflower meadow in Pollock Park, Glasgow in 2017.  Following a day planting seeds and plants for the planned urban meadow in Pollock Park, it led to discussions regarding the developing wildflower meadow to encourage biodiversity and to also highlight the work being done at Pollock Park and in other urban environments.

 

Siobhan Healy was one of the many talented artists who were part of our group exhibition 2018 Showcase, and we are extremely excited to have them back for their newest exhibition!

IN DEFENCE OF EXCESSIVE SLEEPING // EILIDH MORRIS

9th March – 6th April

FLOORPLAN & PRICE LIST

Eilidh Morris encourages their self-conscious to work through automatic art-making and expressive use of colour. The creative practice of making imagination art relies on honest self-representation and a belief that there are no real accidents in terms of content. A psychological element is always present and brings greater introspection on completion of a drawing or painting.  Eilidh describes it as imagination art and hopes to evoke conversation and fascination through the dream-like chaos that unfurls on canvas.

‘In Defence of Excessive Sleeping’ is a collection of artworks reflective of Eilidh’s varied artistic styles.  The title refers to Morris’ mental health and the positive effect ‘excessive sleeping’ has on the imagination. Perhaps it is okay to sleep for 15 hours if the result is a burst of curious invention. Each piece tells a different story but all were created in a very emotive and fluid artistic process using paints, pro-markers and POSCA pens. This includes autobiographical portraits such as “Maple Cabin” based on a trip to Canada, and “Paisley 2014”,the latter of which blurs a line between memory and nightmare. Also included are creations which exist wholly in a fantasy realm, such as “It’s Waking Up,” which depicts a huge ‘King Worm’ arising from its slumber in a deep, dark cave, and “Theia”, an imagined portrait of a powerful cosmic being.

Eilidh recently brought their multi-coloured imagination to life with the design and painting of a large, unicorn-themed rhino sculpture in Hamilton’s “The Big Stampede” public art trail in summer of 2017. This was eventually auctioned in aid of Glasgow Children’s Hospital Charity. Also in 2018, Eilidh’s graphite piece “Spinal” was published in North-east Scotland’s Magazine of New Writing, “Pushing out the Boat”, and the illustration “Hyper-Stimulation” was featured in mental health charity Subconscious’ pop-up exhibition in San Francisco to help raise awareness and eradicate stigma associated with mental illness.

“In Defence of Excessive Sleeping” is Morris’ first solo exhibition.

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Eilidh Morris was one of the many talented artists who were part of our group exhibition 2018 Showcase, and we are extremely excited to have them back for their very own solo show!
Be sure to check out more of Morris’ work by following these links:
www.eilidhmorris.com
www.eilidhmorrisart.etsy.com
www.instagram.com/eilidhmorrisart
www.facebook.com/eilidhmorrisart

REMAINING COLOURS // SHAKIR MUGHAL

9th February – 8th March

FLOORPLAN AND PRICE LIST 

Remaining Colours is a series of work which is derived from Shakir Mughal’s previous exhibitions (Chasing Colours – 2016; Blinking Colours – 2015; Dreaming Colours – 2014), sharing a divine affiliation with colour.

“In this work, I have created many forms and shapes with colours in a conceptual way by merging different layers of colours and produced a variety of colourful patterns, differentiating colours and their movements.

Remaining Colours represents the colours that have been left behind during previous exhibitions. However, it is not different from past work. It is produced in the same method and techniques in a very contemporary and abstract way by using colours as a tool to express inner catharsis.”

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Be sure to check out Shakir’s work from Friday 9th February.

PRIMITIVE // KIRSTY DALTON

12th January – 7th February

kirstydaltondesigns@gmail.com

http://kirstydalton.com/

FLOOR PLAN AND PRICE LIST

Utilising traditional methods of hand carving and wood turning; Dalton’s approach is instinctive. Inspired by nature, with a focus on bold patterns accentuated by intricate detail: Primitive aims to capture the essence of prehistoric art combined with contemporary craftsmanship.

Primitive is a line of wooden works produced by Scottish designer Kirsty Dalton. Handcrafted from cuts of natural wood, each piece is individually shaped and burnt free hand; using a process called Pyrography; complimenting the unique, natural form of this beautiful medium.

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